March 2 – 24, 2019
Thanks to everyone who entered the Guild’s CameraWorks 2019 Exhibition. Congratulations to our accepted artists. Please look over the list below and let us know of any discrepancies by emailing email@example.com by Wednesday, February 20. Remember the Important Dates below. We’ll see you at the opening!
Drop Off of Accepted Works: Saturday, February 23rd, 12 to 4 pm and Sunday, February 24th, 12 to 4 pm.
Opening Reception: Saturday, March 2, 4 to 6 pm (Snow date: Sunday, March 3, 4 to 6 pm). Reception is free and open to all.
Show Closes: Sunday, March 24th at 4 pm.
Pick up of all Unsold Artwork: Monday, March 25th, 12 to 4 pm and Tuesday, March 26th, 3 to 7 pm.
There will be a $20 storage charge for any piece picked up late.
|First Name||Last Name||Title||Material||Price|
|Ralph||Baskin||Marshall Light||Archival Inkjet Print||$375|
|Lisa||Berger||Malfunction Junction||Digital photo on Archival Paper||$500|
|Paul||Berger||Zabriskie Point||archival paper, acid free matte, metal frame and glass||$525|
|Luke||Boylan||Blink And You’ll Miss It||Framed photograph on archival paper.||$75|
|Luke||Boylan||Ecuador by Horse||Framed photograph on archival paper.||$75|
|Luke||Boylan||Mexico Coast Line||Framed photograph on archival paper.||$75|
|Janine||Brown||The Wallflower at the Dance||Crochet wire teardrops, crocheted acrylic dress, wallpaper, sound, lighting||$850|
|Susie||Buckley||Silence is Violence||photograph||$150|
|Susie||Buckley||Families Belong Together||photograph||$150|
|Miggs||Burroughs||Newdigliani||Lenticular – NOT a video entry||$850|
|Miggs||Burroughs||The Journey||Lenticular – not a video entry||$850|
|Sarah||Corbin||Two On The Beach||Photograph||$450|
|Lisa||Cuchara||Frog Doing Yoga||photograph||$400|
|Dianne||Daskam||Not All Hearts Are Red||$40|
|Patti Goldberg||Ettinger||Ephemeral||arches paper||$350|
|Rich||Feldman||A Day in the Old Quarter||Fuji Crystal DP II under acrylic glass gallery framed||$900|
|Madona||Giorgadze||Summer in a bowl||E-surface||$160|
|Phil||Goldberg||Fisherman on Foggy Reservoir||Digital Photography||$250|
|Jonathan||Gordon||Primrose Droplets||Archival Digital Print||$300|
|Jonathan||Gordon||Echeveria||Digital Archival Print||$300|
|Jonathan||Gordon||Spring Rain||Archival Digital Image||$300|
|Jonathan||Gordon||Pink Tulip||Archival Digital Print||$300|
|Ellen||Gould||Ripples||digital print on metal||$350|
|Andrew||Graham||Heartache||Mat Archival Paper||$475|
|Mary||Harold||Gingerbread Doll||Photography processed on metallic paper||$395|
|Ann||Hermann||Acrimonious American Red||Lustre Print||$250|
|Ellen||Hoverkamp||July Souvenirs||Archival Inkjet on Matte Photo Paper||$825|
|Ellen||Hoverkamp||Late Spring Still Life||Archival Inkjet on Matte Photo Paper||$825|
|Elisa||Keogh||Scene from a Train: Blue House||Digital Photography||$350|
|Thor||Krebs||Reflections of fall||Archival Digital Print||$400|
|Fruma||Markowitz||Tikkun Olam: Winter Sparks I||Archival digital print remnants of iPhone images, gold machine stitching||$450|
|Fruma||Markowitz||Tikkun Olam: Winter Sparks II||Archival digital print remnants of iPhone images, gold machine stitching||$450|
|Fruma||Markowitz||Tikkun Olam: Winter Sparks III||Archival digital print remnants of iPhone images, gold machine stitching||$450|
|Carmen||Martin||Wood Facets||Photograph matted in black frame||$195|
|Beth||McCoy||The New Normal||Mixed media – acrylic paint, gel medium and ink on canvas||$400|
|Ron||Mellott||‘Washington Lilypads’||Photographic print, mounted to 3/16′ Gatorboard, matte lamination||$700|
|Ron||Mellott||Waterlily||photograph, matte lamination mounted to Gatorboard, wood frame + liner||$575|
|Ron||Mellott||Blueberry Fields||Photographed, matte lamination, mounted to 3/16′ Gsatorboard, wood frame + liner||$575|
|Ron||Mellott||Sheltering Arms||4×5 film capture||$700|
|Michael||Mielech||San Biagio, Montepulciano||Epson glice print||$400|
|Barbara||O’Shea||Gays Against Guns||Photography||$400|
|Hank||Paper||Wild Horses of Dartmoor||framed aluminum photograph||$650|
|Fredy||Perojo||New Orleans Wedding Parade||digital image||$350|
|Barbara||Ringer||Window||metal print, recycled wood||$600|
|Lawrence||Russ||Lunar Eclipse||Fine art photo paper||$700|
|Robert||Sachs||Lao Chai Village, Vietnam 2018||Archival Pigment Print||$600|
|Robert||Sachs||Ma Cha Village, Vietnam 2018||Archival Pigment Print||$600|
|Robert||Sachs||Thanh Ha Village, Vietnam 2018||Archival Pigment Print||$600|
|Steve||Sholinsky||Road Taos||Archival pigment print||$250|
|Steve||Sholinsky||red house||Archival digital print||$200|
|Steve||Sholinsky||orvieto||archival digital print||$200|
|Lisa||Silberman||The End of the Road?||Black and White Photograph on Aluminum||$425|
|Debbie||Smith||Railing||Archival pigment print||$450|
|Rick||Tango||Impression of Mamanasco Lake||Printed on canvas paper mounted onto a wrap around frame||$400|
|Richard||Ventre||Kat / From Botticelli’s the Birth of Venus, 2||The painted nude, photography, photomontage.||$1,250|
|Jackeuline||Walters||Friendship||Print on Canvas||$200|
|Lee||Walther||Scene/Unseen||Glossy Archival Paper||$295|
|Roy||Weinstein||vintage||german etching paper||$400|
|J Scott||Williams||Myakka Road||digital infrared on paper||$250|
|Caren||Winnall||Roadside||Archival Digital Photograph||$450|
|Carmile||Zaino||Re-Mix | Mannequin Series | Naked||Photo Collage | Archival Print||$850|
|Carmile||Zaino||Re-Mix | Mannequin Series | Boy in Tux||Photo Collage | Archival Print||$850|
|Carmile||Zaino||Re-Mix | Mannequin Series | Straw Hats||Photo Collage | Archival Print||$850|
Juror: Joe McNally
Joe McNally is an internationally acclaimed, award-winning photographer whose prolific career includes assignments in nearly 70 countries. McNally is known world-wide as not only one of the top, technically excellent photographers of his generation, but his charming demeanor, confidence and humor make him a sought-after choice from CEO’s to celebrities to commercial and magazine clients alike. He is among the rare breed of photographer who has bridged the world between photojournalism and advertising, amassing an impressive commercial and advertising client list including FedEx, Sony, ESPN, Adidas, Land’s End, General Electric, Epson, MetLife, USAA, New York Stock Exchange, Lehman Brothers, PNC Bank, and the Beijing Cultural Commission. McNally is equally comfortable climbing buildings or lighting a telescope to capturing quiet, sensitive subject matter with confidence in medical surroundings. He has shot numerous cover stories and highly complex features for the National Geographic, LIFE, and Sports Illustrated, where his research skills and unmatched preparedness were highly valued.
McNally won the first Alfred Eisenstaedt Award for Journalistic Impact for a LIFE coverage titled, “The Panorama of War.” He has been honored numerous times by Communication Arts, PDN, Graphis, American Photo, POY, and The World Press Photo Foundation. He has also adapted to the Internet driven media world, and was recently named as one of the “Top 5 Most Socially Influential Photographers” by Eye-Fi and one of the “Top 20 Influential Photographers” by www.featuredphotog.com, in addition to winning “2015 Photographer of the Year” by PMDA. McNally’s combined social media following is more than a ½ million to date and his popularity continues to grow as he pursues directing a variety of film projects.
Home is a quiet town in Connecticut which he shares with his wife, and Sammy the cat, where he remains enthusiastic about the next assignment.
View/download full prospectus here.